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Home » Writer: Asghar Farhadi

Asghar Farhadi

Each person makes their own choice, but my spirit is meant to stay in Iran, especially with the work that I do, and with the emotional connection I have with the country - with all its difficulties, this is why I stay. Asghar Farhadi
Connection Country Difficulties
Unless you're trying to make a movie on the sly, there's no way to get around this. If you want to use public spaces, film on the streets, have the cooperation of the police, you have to have a permit. Asghar Farhadi
Make Police
Often times, music is used to evoke an emotion and it's become a cliche, so I don't want to do that, and actually what I do, is that emotional intensity that has developed throughout the film, I allow it to get released by having that music at the end with the credits. Asghar Farhadi
Emotions End Music
I always feel that a viewer has an expectation about every moment of the film and where it's going, so if I act against that, I've created a twist. In fact, it becomes a kind of game with the expectations of the viewer. This is the superficial appearance. In the layer beneath, there is a hidden theme. Asghar Farhadi
Always Expectations Game
The process of writing is like creating a game of dominoes: The first domino creates the second incident, and so forth until the end. Asghar Farhadi
End Games Process
Classical tragedy was the war between good and evil. We wanted evil to be defeated and good to be victorious. But the battle in modern tragedy is between good and good. And no matter which side wins, we'll still be heartbroken. Asghar Farhadi
Battle Evil Good
Iranian filmmakers are not passive. They fight whenever they can, as creative expression means a lot to them. The restrictions and censorship in Iran are a bit like the British weather: one day it's sunny, the next day it's raining. You just have to hope you walk out into the sunshine. Asghar Farhadi
Hope Sunshine
I must say here in France I had more serenity or security as I was working because I knew I was making the film the way I wished and that the film would be seen, ultimately, which is not always the case in Iran. In Iran, you always work having in mind this worry of will I be able to carry on my project as I wish and will the audience see the film. Asghar Farhadi
Always Mind Serenity
Is there one specific source that determines correct morality and everybody should follow that? Or should individuals come up with following that source or not depending on their situation? Asghar Farhadi
Follow Morality Situation
The success of one film may convince the filmmaker to try repeat his successes and get into a competition with himself. One cannot dwell on periodic successes. You have to look at it as a temporary, passing thing. Asghar Farhadi
Competition Look Success
I can't make pronouncements about the entirety of Iranian cinema, because there's such a great number of filmmakers and because of the diversity of points of view and filmmaking attitudes. Asghar Farhadi
Cinema Diversity Great

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